In the cove on the seashore, among the woods and meadows that fronted the beach, the fickleness of inflamed desire rose out of the uncertainty of the blank abyss. To choose the wheat or to choose the many [sic] was all the same, and the distance kept going, through cypress trees.

The magic power of words in isolation, or joined together on the basis of sound, with inner reverberations and divergent meanings even as they converge, the splendour of phrases inserted between the meanings of other phrases, the virulence of vestiges, the hope of the woods, and the absolute peacefulness of the ponds on the farms of my childhood of ruses… And so, within the high walls of absurd audacity, in the rows of trees and in the startled tremors of what withers, someone other than me would hear from sad lips the confession denied to more insistent parties. Never again, not even if the knights were to come back on the road that was visible from the top of the wall, would there be peace in the Castle of the Last Souls, where lances jangled in the unseen courtyard, nor would any other name on this side of the road be remembered but the one which at night would enchant, like the Moorish ladies of folklore,* the child who later died to life and to wonder.

Over the furrows in the grass, like remembrances of what was to come, the treading of the last lost men sounded ever so lightly, their dragging steps opening nothings in the restless greenery. Those who would come were bound to be old, and only the young would never arrive. The drums rumbled on the roadside, and the bugles hung uselessly from exhausted arms that would have dropped them if they still had strength enough to drop something.

But when the illusion was over, the dead clamour sounded yet again, and the dogs could be seen nervously hesitating on the tree-lined paths. It was all absurd, like mourning the dead, and princesses from other people’s dreams strolled about freely and indefinitely.