The feelings that hurt most, the emotions that sting most, are those that are absurd: the longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are. The sensation we come to have of ourselves is of a deserted field at dusk, sad with reeds next to a river without boats, its glistening waters blackening between wide banks.

I don’t know if these feelings are a slow madness born of disconsolation or if they’re reminiscences of some other world in which we’ve lived – jumbled, criss-crossing remembrances, like things seen in dreams, absurd in the form they come to us but not in their origin, if we knew what it was. I don’t know if we weren’t in fact other beings, whose greater completeness we can sense today, incompletely, forming at best a sketchy notion of their lost solidity in the two dimensions of our present lives, mere shadows of what they were.

I know these thoughts of the emotion ache bitterly in the soul. Our inability to conceive of anything they could correspond to, the impossibility of finding a substitute for what they embrace in our imagination – all of this weighs like a harsh sentence handed down no one knows where, or by whom, or why. But what remains from feeling all this is an inevitable disaffection with life and all its gestures, a foretasted weariness of all desires in all their manifestations, a generic distaste for all feelings. In these times of acute grief, it is impossible – even in dreams – to be a lover, to be a hero, to be happy. All of this is empty, even in our idea of what it is. It’s all spoken in another language that we can’t grasp – mere nonsense syllables to our understanding. Life is hollow, the soul hollow, the world hollow. All gods die a death greater than death. All is emptier than the void. All is a chaos of things that are nothing.

If, on thinking this, I look up to see if reality can quench my thirst, I see inexpressive façades, inexpressive faces, inexpressive gestures. Stones, bodies, ideas – all dead. All movements are one great standstill. Nothing means anything to me. Nothing is known to me, not because it’s unfamiliar but because I don’t know what it is. The world has slipped away. And in the bottom of my soul – as the only reality of this moment – there’s an intense and invisible grief, a sadness like the sound of someone crying in a dark room.