Nothing is more oppressive than the affection of others – not even the hatred of others, since hatred is at least more intermittent than affection; being an unpleasant emotion, it naturally tends to be less frequent in those who feel it. But hatred as well as love is oppressive; both seek us, pursue us, won’t leave us alone.

My ideal would be to live everything through novels and to use real life for resting up – to read my emotions and to live my disdain of them. For someone with a keen and sensitive imagination, the adventures of a fictional protagonist are genuine emotion enough, and more, since they are experienced by us as well as the protagonist. No greater romantic adventure exists than to have loved Lady Macbeth with true and directly felt love. After a love like that, what can one do but take a rest, not loving anyone in the real world?

I don’t know the meaning of this journey I was forced to make, between one and another night, in the company of the whole universe. I know I can read to amuse myself. Reading seems to me the easiest way to pass the time on this as on other journeys. I occasionally lift my eyes from the book where I’m truly feeling and glance, as a foreigner, at the scenery slipping by – fields, cities, men and women, fond attachments, yearnings – and all this is no more to me than an incident in my repose, an idle distraction to rest my eyes from the pages I’ve been reading so intently. Only what we dream is what we truly are, because all the rest, having been realized, belongs to the world and to everyone. If I were to realize a dream, I’d be jealous, for it would have betrayed me by allowing itself to be realized. ‘I’ve achieved everything I wanted,’ says the feeble man, and it’s a lie; the truth is that he prophetically dreamed all that life achieved through him. We achieve nothing. Life hurls us like a stone, and we sail through the air saying, ‘Look at me move.’

Whatever be this interlude played out under the spotlight of the sun and the spangles of the stars, surely there’s no harm in knowing it’s an interlude. If what’s beyond the theatre doors is life, then we will live, and if it’s death, we will die, and the play has nothing to do with this.

That is why I never feel so close to truth, so initiated into its secrets, as on the rare occasions when I go to the theatre or the circus: then I know that I’m finally watching life’s perfect representation. And the actors and actresses, the clowns and magicians, are important and futile things, like the sun and the moon, love and death, the plague, hunger and war among humanity. Everything is theatre. Is it truth I want? I’ll go back to my novel…