The River of Possession
The River of Possession
That all of us are different is an axiom of our true nature.* We only look like each other from a distance – to the extent, therefore, that we are not ourselves. That’s why life is for the indefinite; the only people who get along well are those who never define themselves, those who are equally nobody.
Each of us is two, and when two people meet, come into contact or join together, it’s rare that the four of them can agree. If the man who dreams in the man who acts is so frequently at odds with him, how can he help but be at odds with the man who acts and the man who dreams in the Other?
Each life, because it’s life, is a distinct force, and each of us naturally tends towards himself, stopping at other people along the way. If we have enough self-respect to find ourselves interesting..... Every coming together is a conflict. The other is always an obstacle for those who seek. Only those who don’t seek are happy, because only those who don’t seek find; since they seek nothing, they already have it, and to already have – whatever it may be – is to be happy, just as not to think is the best part of being rich.
Within me I look at you, imagined bride, and we start to clash even before you exist. My habit of dreaming things vividly gives me an accurate notion of reality. Whoever dreams to excess must give reality to his dreams. Whoever gives reality to his dreams must give them the equilibrium of reality. Whoever gives the equilibrium of reality to his dreams will suffer from the reality of dreaming as much as from the reality of life, and from the unreality of his dreams as much as from his feeling that life is unreal. I’m waiting for you, in a state of reverie, in our bedroom that has two doors; I dream I hear you coming, and in my dream you enter by the door on the right. If, when you actually enter, it’s by the door on the left, there will already be a difference between you and my dream. The whole of the human tragedy is summed up in this tiny example of how the people we think about are never the people we think they are.
Love demands identification with something different, which isn’t even possible in logic, much less in real life. Love wants to possess. It wants to make into its own that which must remain outside it; otherwise the distinction between what it is in itself and what it makes into itself will be lost. Love is surrender. The greater the surrender, the greater the love. But total surrender also surrenders its consciousness of the other. The greatest love is therefore death, or forgetting, or renunciation – all forms of love that make love an absurdity.
On the ancient terrace of the seaside palace, we will meditate in silence on the difference between us. I was the prince and you the princess, on the terrace by the sea. Our love was born in our meeting, the way beauty was born when the moon met the waves.
Love wants to possess, but it doesn’t know what possession is. If I’m not my own, how can I be yours, or you mine? If I don’t possess my own being, how can I possess an extraneous being? If I’m even different from my own identical self, how can I be identical to a completely different self? Love is a mysticism that wants to be materialized, an impossibility that our dreams always insist must be possible.
I’m talking metaphysics? But all of life is a metaphysics in the darkness, with a vague murmur of the gods and only one way to follow, which is our ignorance of the right way.
The most insidious aspect of my decadence is my love of health and clarity. I’ve always felt that a handsome body and the carefree rhythm of a youthful stride were more useful in the world than all the dreams that exist in me. It’s with a joy of the old in spirit that I sometimes observe, without envy or desire, the casual couples that the afternoon brings together and that walk arm-in-arm towards the unconscious consciousness of youth. I enjoy them as I enjoy a truth, without considering whether it applies to me. If I compare them to myself, I still enjoy them, but as one who enjoys a truth that hurts, the pain of the hurt being compensated by the pride of having understood the gods.
I’m the opposite of the Platonic* symbolists, for whom every being and every event is the shadow and only the shadow of a reality. Everything for me, rather than a point of arrival, is a point of departure. For the occultist everything ends in everything; for me everything begins in everything.
I proceed, as they do, by way of analogy and suggestion, but the small garden that to them suggests the soul’s order and beauty, to me suggests merely the larger garden where, far away from humans, this unhappy life perhaps could be happy. Each thing suggests to me not the reality of which it is the shadow, but the reality for which it is the path.
The garden of Estrela,* in late afternoon, suggests to me a park from olden times, in the centuries before the soul became disenchanted.